Last night I sat down to start reading Eugene Lim's FOG & CAR, the other of the two debut books from Ellipsis Press along with Eugene Marten's WASTE, which I loved and talked about a while back, I hadn't meant to read for very long but found myself unable to stop reading the book. FOG & CAR is a strange amalgam of several ideas, it begins with a dissolved marriage from which both ends begin to branch and splinter and spread back into each other in weird ways. I was surprised to be so captivated by a book about a ruined marriage, which it is only on the surface, what it really is is a puzzle and a book of worming forms, sometimes the tense shifts or lines are layered and/or repeated, there is a lot of subtle innovation, refreshing....More at: http://blakebutler.blogspot.com/2008/10/eugene-lims-fog-car-boinking-in-baby.html
We participated on an e-panel with several other new presses–organized by Dan Wickett of DZANC books. Participants included:
Kathleen M. Rooney and Abigail Beckel – Rose Metal Press
Aaron Burch and Elizabeth Ellen – Short Flight/Long Drive Books, a division of Hobart
Johannah Rodgers and Eugene Lim – Ellipsis Press
Aaron Petrovich and Alex Rose – Hotel St. George Press
Giancarlo Di Trapano – Tyrant Books
Victoria Blake – Underland Press
Peter Cole – Keyhole Books
The LATIMES bookblog wrote it up:
Why found an independent press? And why do it now? Ellipsis Press’ Eugene Lim has an answer:
I’d like to think an indie movement is going on. Twelve years ago there was an issue of The Review of Contemporary Fiction, titled “The Future of Fiction,” and edited by none other than David Foster Wallace. In it, there’s a hilarious and dead-on piece by Dalkey head John O’Brien, which stated among other things that the “end of literary books in commercial publishing is a historical inevitability.” And so it has come to pass. The bigger houses will cease (have ceased!) to publish literary fiction. It is not profitable for them to market and produce a title that will sell to 5000 people (even if Rick Moody strong-arms a National Book Award for them). S’okay though. The old publishing joke goes, How do you make a small fortune in publishing? Answer: Start with a large one. And then you and your crony get to laugh bitterly together. But it’s the wrong question. A small and lively (and one hopes resurging) group of people care about the novel as art. And with the new methods of production and distribution, it’s getting easier for writers to connect with readers.
here’s the panel in its entirety: http://emergingwriters.typepad.com/emerging_writers_network/2008/09/e-panel-publish.html